“Now he likes me?” I say aloud as I drop my phone to my lap and my heart does a strange little tuck and roll within my chest.

My ten-year-old brother, Mac, gives me a strange look from the seat beside me. With the top down in my aunt’s convertible, he can’t hear my words that are cast into the air to dance with the wind.

The orange towers of the Golden Gate Bridge loom toward us, with the darkening blue of sky and water filling the spaces between. Aunt Jenna is driving, with Mom talking beside her.

So it’s finally true.

Nick likes me.

I think I’m happy. Everyone will expect me to be happy. It’s not been a secret that I’ve liked him for . . . well, ever. Or at least for a few months.

And yet I have a very good reason for being completely annoyed about this.

The text stating Nick’s indirect admission of love, or at least “like,” arrives as we’re leaving an afternoon in San Francisco behind. But we aren’t driving the four hours home to Cottonwood. We’re driving toward our new life in Marin County.

Everyone at school knew that Nick liked me for a long time. His friends and my friends knew it. I knew it. But Nick apparently didn’t know his own feelings. Why can’t guys just trust others on these things?

I pick up my phone and reply to Kate’s text.

ME: Is Nick still standing there?

KATE: No. I think it freaked him out to wait for your response. The guys went to play Alien Hunter III before the movie starts. So what do you think? Patience paid off.

ME: I’m trying not to think that guys are really as dumb as most of us say they are.

KATE: Huh?

ME: Really now. I mean NOW. He says this on the day I move away?

KATE: Well you’ll be home most every weekend so it’s not that bad.

ME: But think about it. What made him decide today?

KATE: Who cares? He finally figured out he can’t live without you.

The car cruises along the bridge, and I stare up at the massive orange beams over our heads. Then I catch sight of a sailboat as it dips and bows on the evening waters of San Francisco Bay.

My brother is shout-talking to my mom and aunt. And with one earbud pulled out, I catch bits of the discussion being tossed around the car as the wind twists my hair into knots. The topic is “If you had one wish, what would you wish for?”

What poetic irony. Five minutes ago I would’ve wished that Nick would like me . . . and like some psychic genie working even before I wished it, the text arrived from Kate: “Nick said . . .”

So Nick likes me after I move four hours and a world away.

He likes me the day after I say good-bye to him and all my friends in Cottonwood.

I scroll back through my saved texts to find what he sent me after we said good-bye.

NICK: I wish you weren’t moving.

NICK: Next time you’re up visiting your dad let’s hang out.

NICK: How often will you be back?

NICK: So you don’t have a date for prom?

Men. I mean seriously.

So it’s like this. I’m moving to one of the coolest areas of California—Marin County. I’m going to live in this cool, quirky cottage that my aunt Betty gave us after she headed off on an extended Mediterranean honeymoon with the man, now her husband, she found online.

Since I was a little girl, I’ve wanted to live near San Francisco. Aunt Betty’s house was one of my favorite places. Kate and I plan to attend college down here. So now I get to live my dream sooner than expected.

Mac taps my arm, but I watch the little sailboat lean toward the open Pacific and wonder at its journey ahead, far or near, some California marina or faraway exotic isle.

My brother taps on my arm persistently. “Ruby-Ruby Red.”

I really dislike it when he calls me that. Then he reaches for my earbud, and I push his hand away.

“What?” I ask loudly, wiping strands of hair from my face. The sun falls easily into the cradle of the sea. It’s eventide—that time between sunset and darkness, a peaceful time of wind and bridges and dreams except for one annoying brother and an incoming text that could disrupt the excitement of a dream coming true.

“What do you wish for?” Mac asks earnestly.

My phone vibrates again, and I nearly say, “Don’t bug me, and don’t call me Ruby-Ruby Red,” but Mac’s sweet pink cheeks and expectant eyes stop me. I rub his hair and tickle him until he cries for mercy. He laughs and twists away from my fingers, then asks me again what I wish for.

“Wait a minute,” I say, and he nods like he understands.

KATE: He said he’s been miserable since he said good-bye last night.

ME: So why didn’t he like me before?

KATE: He says he always did, he just kept it to himself.

ME: Or he kept it FROM himself.

Everyone said Nick said I was hot, that I was intelligent, that he’d never met a girl like me—which can be taken as good or bad. Everyone told him to ask me out, but he just didn’t. No explanation, no other girlfriend, just nothing. For months. Until today.

KATE: He’s never had a girlfriend, give the guy a break. I always thought he’d be the bridge guy! Maybe he will be!

I rest the phone in my hands at that. Nick has been the main character in my bridge daydream—only Kate knows that secret dream of mine.

We’ve crossed the bridge into Marin County with signs for Sausalito, Corte Madera, San Rafael. The names of my new home, and yet I’m still between the old and the new.

“What are you smiling for?” my brother asks.

“Nothing,” I say and give him the mind-your-own-business look.

Mac stretches forward in his seat belt toward the front seat, and I’m tempted to tell him to sit down. But for once I don’t boss him around. He’s so happy about this wishing talk, with his wide dimpled smile and cheeks rosy from the wind. His cheeks remind me of when I loved kissing them—back when we were much younger.

“Remember, no infinity wishes. That’s cheating,” Mac shout says to Mom and Aunt Jenna, but he glances at me to see if I’m listening.

“This is really hard,” Aunt Jenna yells back. She points out the window to a line of cyclists riding along a narrow road parallel to the highway. “I bet those guys wish for a big gust of wind to come up behind them.”

Mac laughs, watching the cyclists strain up an incline.

Now they’ll probably start “creating wishes” for everyone they see.

I bet that car wishes it were as cool as that Corvette.

I think the people in that car wish they had a fire extinguisher for that cigarette . . .

Mom and her sister often make up stories about strangers while sitting outside Peet’s Coffee or, well, just about anywhere people watching is an option.

My phone vibrates in my hand, and then immediately again.

KATE: Hello?? No comment on Nick being your mysterious bridge guy?

ME: Nope

JEFFERS: So beautiful, are you there yet?

ME TO KATE: I just got a text from Jeffers.

KATE: LOL He’s sitting beside me and saw me talking to you.

JEFFERS: When can we come party in Marin?

ME TO JEFFERS: Almost there. Ten minutes I think. Uh party?

JEFFERS: Yeah, party! How could you leave us, I mean what could be better than us? You’ll be too cool for gocarts and mini golf after a month w/ the rich and sophisticated.

ME: I hate mini golf.

JEFFERS: See? One day and already too good for mini golf.

KATE: You’re having us all down for a party?

ME: Uh, no

JEFFERS: Kate’s yelling at me. Thx a lot. But bye beautiful, previews are on with little cell phone on the screen saying to turn you off.

ME TO JEFFERS AND KATE: K have fun. TTYL.

KATE: Write you after. Bye!

It’s a significant moment, this.

One of the most significant in my fifteen years.

Not the “wish discussion” between Mac, Mom, and Aunt Jenna; not the text messaging back and forth; not the music playing in one of my ears; not even Nick liking me.

The significance comes in crossing bridges. Not the bridge in my dream, but the ones that take me into Marin. The many bridges that brought my family here with my dad still in Cottonwood, and my older brother, Carson, driving soon behind us. And though we can turn around and drive back to the small town I’ve always lived in, I wonder if, once you cross so many bridges, you can ever really go back.

The music in my one ear and the voices of my family in the other make a dramatic backdrop for this moment—one that will shape the rest of my life.

I feel a sense of wonder, but also of fear. It’s beautiful, this time of long evening shadows. The sky in the west where the sun has fallen turns from a subtle to defined sunset of red and orange.

The hills of Marin County rise to the nighttime with their myriad dots of light. The salty breeze is cool coming off the Pacific.

“What’s your wish?”

I jump as Mac shouts at me, leaning to get his face close to mine. I nearly throw my phone out the open rooftop.

“Mac! Mom!”

“Mac, leave your sister alone. She needs time to think,”

Mom calls back with a worried glance in my direction. She was more worried than I was about this move to Marin . . .well, until I said all the good-byes this week and especially now. I realize it’s the last remnant of what is, taking us from the past and what has been to the new place, the new life, and the what will be.

“Do you know what I wish?” Mac says in a loud whisper that only I can hear.

The innocent expression on his face soothes my annoyance.

He motions for me to lean close.

“I wish I was six again.”

“Why?”

“Promise you won’t tell Mom or Austin or Dad and Tiffany, ’cause I don’t want to hurt their feelings . . .” He waits for me to agree. “I wish I was six ’cause Mom and Dad were married then. But then that would make Austin and Tiffany go away, and I don’t really want them to go away, but I sort of wish Mom and Dad were married still.”

I nod and glance up toward Mom, who is staring out toward the bay. “Yeah, I know, Mac. But it’ll be all right.”

“So what do you wish for?” he asks again.

We’re almost there now, and I still have no singular wish. How do you make such a choice when your whole life is upended—for the good and the bad? I wonder if San Francisco Bay is like one giant wishing well, and in the coming years I can toss as many pennies as I want into the blue waters and have all the wishes I need.

I hope so. And maybe wishing that the bay would become one giant well breaks Mac’s rule about infinity wishes. But regardless, this is what I wish my wish to be.

It was my choice to move to Marin with Mom. But now I wonder if these bridges are taking me where I should be going. Or if they’re taking me far, far away.

“I wish for infinity wishes!” I say and kiss Mac on the cheek before he protests. “No one can put rules on wishes.”

And this is what I truly want to believe.

The rain pelting Seventh Avenue tasted of diesel and big-city friction. Sean Syrrell stared out the limo’s open window and let the day weep for him.

Sean gripped his chest with one hand, trying to compress his heart back into shape. His granddaughter managed to make the end of the block only because her aunt supported her. They turned the corner without a backward glance. Not till they were lost from view did Sean roll up his window.

Storm’s survival demanded that she be cut loose. He had fired her because it was the only way he could protect her. Sean knew the enemy was closing in. He had felt the killer’s breath for days. Storm was his last remaining hope for achieving his lifelong dream, and establishing his legacy.

But the knowledge he had been right to fire her did little to ease the knife-edged pain that shredded his heart.

The driver asked, “Everything okay, Mr. Syrrell?”

Sean glanced at the young man behind the wheel. The driver was new, but the company was the only one he used ever since the danger had been revealed. If the enemy wanted a way to monitor his movements in New York, he’d handed it to them on a platter. “Why don’t you go for a coffee or something. I’d like a moment.”

“No can do, sir. I leave the wheel, they pull my license.”

Sean stared blindly at the rain-streaked side window. He could only hope that one day Storm would understand, and tell Claudia, and the pair of them would forgive him.

Unless, of course, he was wrong and the threat did not exist.

But he wasn’t wrong.

“Mr. Syrrell?”

Sean opened his door and rose from the car. “Drop my bags off at the hotel. We’re done for the day.”

Sean passed the Steinway showroom’s main entrance, turned the corner, pressed the buzzer beside the painted steel elevator doors, and gave his name. A white-suited apprentice grinned a hello and led him downstairs. Sean greeted the technicians, most of whom he knew by name. He chatted about recent acquisitions and listened as they spoke of their charges. The ladies in black. Always feminine. Always moody and temperamental. Always in need of a firm but gentle hand.

Among professional pianists, the Steinway showroom’s basement was a place of myth. The long room was clad in whitewashed concrete. Beneath exposed pipes and brutal fluorescent lights stood Steinway’s most valuable asset: their collection of concert pianos.

All but one were black. The exception had been finished in white as a personal favor to Billy Joel. Otherwise they looked identical. But each instrument was unique. The Steinway basement had been a place of pilgrimage for over a hundred years. Leonard Bernstein, Vladimir Horowitz, Sergei Rachmaninoff, Leon Fleisher, Elton John, Glenn Gould, Alfred Brendel, Mitsuko Uchida. They all came. An invitation to the Steinway basement meant entry to one of the world’s most exclusive musical circles.

Sean Syrrell had not been granted access because of his talent. As a pianist, he was mechanical. He did not play the keys so much as box with the music. He lacked the finesse required for greatness. But fifteen years ago, he had done Steinway a great favor. He had located and salvaged the grand that had graced the White Palace, summer home to the Russian czars.

After the Trotsky rebellion, the piano had vanished. For years the world believed that Stalin had placed it in his dacha, then in a drunken rage had chopped it up for firewood. But Sean had found it in a Krakow junk shop the year after the Berlin Wall fell, just one more bit of communist flotsam. He had smuggled it west, where Germany’s finest restorer had spent a year returning it to its original pristine state. It was now housed in the Steinway family’s private collection.

The basement was overseen by Steinway’s chief technician. He and an assistant were “juicing” the hammers of a new concert grand. Sean spent a few minutes listening and discussing the piano’s raw tones. Then he moved to his favorite. CD?18 was more or less retired from service after 109 years of touring. Occasionally it was brought out as a favor to a special Steinway client. The last time had been for a voice-piano duet—Lang Lang and Pavarotti. For fifteen years, Van Cliburn had begged Steinway to sell him the instrument. Yet here it remained.

Sean seated himself and ran through a trio of exercises. His hands were too stubby for concert-quality play, his manner at the keys too brusque. Added to that were his failing ears, which had lost a great deal of their higher-range tonality. And his strength, which these days was far more bluster than muscle. And his heart, which still thudded painfully from firing Storm.

This time, it took a great deal longer than usual to leave the world behind. He hovered, he drifted, yet he was not transported. The tragic elements of his unfolding fate held him down.

When peace finally entered his internal realm, Sean switched to an étude by Chopin. It was a courtly dance, even when thumped out by his bricklayer’s hands. The instrument was bell-like, a radiant sound that caused even his antiquated frame to resonate.

Between the first and second movement, his playing transported him away from the realm of business and debt and his own multitude of failings. He knew others believed he harbored an old man’s fantasy of playing on the concert stage. But that was rubbish. He was here because twice each year, for a few treasured moments, an instrument brought him as close to divinity as Sean Syrrell would ever come. At least, so long as he was chained to this traumatic ordeal called life.

Sean detected a subtle shift in the chamber’s atmosphere. He was well aware of what it probably meant. He shut his eyes and turned to his favorite composer. Brahms was so very right for the moment, if indeed he was correct in thinking the moment had arrived.

Brahms above all composers had managed to form prayer into a series of notes. Yet Brahms had always been the hardest for Sean to play. Brahms required gentle eloquence. Normally Sean Syrrell played with all the gentleness of a drummer.

Today, however, Sean found himself able to perform the melody as it should be performed, as a supplicant with a lover’s heart.

Then Sean heard a different sound. A quiet hiss, accompanied by a puff of air on his cheek.

Sean opened his eyes in time to see a hand reflected in the piano’s mirrored surface, moving away from his face. It held a small crystal vial.

Sean’s cry of alarm was stifled by what felt like a hammer crashing into his chest. He doubled over the instrument, and his forehead slammed into the keyboard. But he heard none of it.

His entire being resonated with a single clarity of purpose, as strong as a funeral bell. He had been right all along.

Sean did not halt his playing. Even when his fingers slipped from the keys, still he played on.

His final thought was of Storm, which was only fitting. She was, after all, his one remaining earthbound hope.

He was carried along with notes that rose and rose until they joined in celestial perfection, transporting him into the realm he had prayed might find room for him. Even him.